Cinema of the South: Celebrating Sderot and Kerala

Haim Watzman

Sderot was celebrating yesterday–it’s been celebrating all week, in fact. Who cares about the missiles coming over from Gaza when you can catch a good flick–lots of them? The Cinema South Festival, held in Sderot each year under the sponsorship of the film school at adjacent Sapir College, is one of the most stimulating, and heart-warming cultural events on Israel’s calendar.

The day’s only Red Alert happened just as we emerged from our rental car next to the housing project where my daughter, Mizmor (finishing up her first year in the animation program) lives. We scurried to safety–well, it’s all relative–under one of the building’s outdoor stairwells until, seconds later, we heard a distant boom.

After dropping off some home-cooked food in her apartment, we drove over to the Sderot Cinematecque. The festival was in full swing. “South” here doesn’t mean Alabama and Georgia-it means Israel’s poor, forgotten, and bombarded Negev region. Sapir students were quaffing beers and muching on sandwiches and sticky sweets while a Kerala band played songs that sent my wife Ilana-whose late father grew up in Bombay, after his family moved there from Baghdad-into dreamy nostalgia.

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Cold Altruism: Cristian Mungiu’s “Four Months, Three Weeks, and Two Days”

Much has been written about the slow pace and the role of time in Four Months, Three Weeks, and Two Days. Less has been said about the societal decay it portrays.

This Romanian film, written directed by Cristian Mungiu, tells the story of an abortion. But it also depicts, intensely, the relationship between two women, and shows how an impersonal, heartless regime (Ceauescu’s Romania, in this case) can leave its citizens with nothing but impersonal, heartless relationships.

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The Selfish Monk: Kim Ki-Duk’s “Spring, Summer, Fall, Winter …and Spring”

The ancients asked a question we ask too seldom today: How can I live a good life? Not a happy, successful, or important life, but a good one? The answer the Korean director Kim Ki-Duk gives in his 2003 film, Spring, Summer, Fall, Winter …and Spring is: live alone, in a house that floats in the middle of a lake that lies in a beautiful, deserted valley. Do not love, do not raise a family, do not seek out other human beings.

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